Tag Archives: illustations

In Which I Doubt Occasionally

20 May
obviously paying close attention in class

obviously paying close attention in class

University life is quickly coming to an end for the summer, which means I will be more active on my blog in the next few months. Hurray! University has been great to me and just earlier, walking through the quiet campus, I felt very happy to be a part of this place. I think it was definitely the right decision to come here.

But I am not without my doubts. Truth be told – especially when I hear about how amazingly well my friend Ben is doing. He moved to Berlin a year ago to do an internship with a StartUp and has been doing amazingly for himself since then. He sends me all his updates and I am overwhelmed and proudly happy for him – with a human tinge of envy. If you want to know what Ben’s been up, check out this great interview he gave for Die Zeit, which really explains it best: http://www.zeit.de/studium/uni-leben/2014-04/selbststudium-education-hacking

I know it’s normal to ask myself if, maybe, just maybe, I couldn’t be using this time better: What if I were focussing on my writing instead of being at university? What if I were giving readings night after night instead?

photo 4

 

Where would I be instead? Could I achieve more?

These are very normal doubts and I am filled with them occasionally – but they are never strong enough for me to consider packing my bags. I love everything my university life has to offer, from the studying to the carefree enjoyment of life (which, if we’re calling a duck a duck, is terribly relaxing after constantly worrying how to pay the rent… suffer the antagonism of being the black sheep in the family who just won’t get a normal job… wonder how to get more gigs… and how I’m going to buy food).

My greatest joy in Aberdeen is the Aerials & Acrobatics group I founded.

silks hanging

A few weeks ago, I invited my friend Philipp (who I met at the EJC in France last summer) to give an acrobatics workshop to my acrobats. As chance would have it, the hall we had (thought we had) booked wasn’t open to us on the weekend, which forced us to look around Aberdeen for a quick alternative.

We got lucky. Philipp had spotted something on his way in to Aberdeen – something I had seen, and forgotten.

studio 202

A studio promising trapeze and aerial hoops… I gave the owner, Sandi, a call, and asked if we could super spontaneously host our workshop at her studio. She asked when. I said: “In an hour?”

Sandi said yes.

There’s photographic evidence of this moment:

us

 

Thanks to this happy blessing-in-disguise, we had a home for our acrobatics workshop and, as it would turn out, we would have a new place to train every week. This is perfect because the hall where we sometimes train aerials isn’t always available to us – whereas Sandi has made Studio 202 always available to us.

photo 4

Sandi on the far right, recognisable thanks to her blue hair

Thanks to Philipp from Codarts Circus School in Rotterdam for coming and giving us such excellent teaching!

photo 2

 

photo 3

Seeing as acrobatics and aerials has become such a big part of the society, we recently had a meeting concerning the name of the society we are operating under: Juggling & Slacklining Society. We voted to change it. I was voted into the committee as Aerials & Acrobatics president. Yesterday, we met on King’s Lawn at the university and had an official photo shoot for our new society.

The CIRCUS ARTS & FIRE SKILLS society!

photograph by Jamie Hughes

photograph by Jamie Hughes

This photograph will go into the Freshers’ Manual for next year so we can advertise our society to all new students. I think we look like a very fun society!

The people in this society have become my family. I now also have a regular job teaching acrobatics to adults in Studio 202. Things are really coming together.

With all the colours in my life in Aberdeen, I still look wistfully across the water at the Other Life I could be living – but I’ve lived it, haven’t I? Now it’s time for this.

a studious writer

(but like everyone else, I need occasional reminding)

So summer is coming and I’m back on Skype a lot with Mark. I post the occasional picture of our digital conversations, which must be completely fascinating (ah, the sarcasm) but I have no other way of letting you know that we’re hard at work!

this is the one I mean

this is the one I mean

Mark is magical. I don’t know if I have said that enough: we have had our share of ups and downs concerning the ILLUSTRATIONS. Then, last week, he sent me a DROPBOX LINK. “Here it is. Have fun.”

dropbox

AAAAAAAAAAAAAHHHHHHHHHHHHHHH!!!

I might have gone crazy that day. All the illustrations were in there. ALL! (Except the cover.)

I can’t publish any spoilers but I do want to share one or two illustrations with you, because you have been so wonderfully patient and supportive all these years. This share is just for my beautiful ayllu – and you know who you are. Here are a few, not-photoshopped.

I once knew a group of flying men and women, and although they were born with their gifts, they worked very hard to perfect it and be graceful in the air. I met them at a time when my head was in a muddle and I walked around looking like a baba, all my thoughts in confused knots on top of my head. After making love to one of the flying women, I agreed to travel with their caravans for a while and see if I could do something about my knots…

IMG_7664

by Mark Klawikowski for “Qayqa” by Ritti Soncco

by Mark Klawikowski for "Qayqa" by Ritti Soncco

by Mark Klawikowski for “Qayqa” by Ritti Soncco

by Mark Klawikowski for "Qayqa" by Ritti Soncco

by Mark Klawikowski for “Qayqa” by Ritti Soncco

I called him to congratulate him – and we ended up discussing the cover for an hour. This is what it’s not going to be, but a rough idea of what it will look like. If you’ll remember, this was the sketch I gave Mark:

photo 3

And this is what Mark transformed it into:

rough sketch by Mark Klawikowski

rough sketch by Mark Klawikowski

 

It won’t be this one because he’s messing around with what kind of water colours / ink to use. Why did we spend one hour talking about it? We discussed if Damian should stand still (as he does in my sketch) or if he should be walking (as in Mark’s). We agreed immediately that he should be walking. We discussed the edges of the words, which I want to be natural, organic and full of rough edges. I wouldn’t want them to be clean & clear. Mark said you couldn’t see it, but he had already started giving them rough edges. We discussed if you could see the desert behind Damian, and if not, how to hint at it. We discussed what Damian is carrying in his hand.

You know, details.

Well, my dearest ayllu, I must be off. This week, I’ll be studying for my exams next week and, during my breaks, I’ll do the last digital editing on the illustrations and begin to lay them into the book.

The final stages are upon us… Soon, I’ll blog about the BOOK TOUR.

So please stay tuned.

And thank you for your continuous support, dearest ayllu. This dialogue has been my continuous support to continue fighting for my work to be published – and to fight off my snide little doubts. Some of my occasional Skype chats with Ben have been about our doubts, and yet we continue fighting. As long as we support each other, there’s no need to give up, is there?

Congratulations, once again, dear Ben, for everything you are doing. For not giving up, for believing in your voice, and – above all – for staying so humble. You’re doing a damn fucking amazing thing, and you can really give yourself more pats on the back! There’s a part of me that really believes that everything you touch becomes gold.

 

Love, Ritti

Advertisements